BOB BARON'S HOMEPAGE

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My e-mail address is baronb@mail.mc.maricopa.edu

I enjoy teaching a variety of classes here at Mesa Community College:

  • ENG 101 - Freshman Composition

  • ENG 102 - Freshman Composition

  • ENH 110 - Introduction to Literature - click for more

  • HUM 205 - Introduction to Cinema

  • HUM 209 - Women and Films

  • HUM 210 - Contemporary Cinema

My unusual office, a compendium of dear, discarded, and dislocated memorabilia, is located in the Liberal Arts Building, Room LO-14 - maps are available to help you find your way around the room. I can be reached at 480-461-7611 and messages left at that number.

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Biographical Information

My early years were spent in Buffalo, New York, where I later attended the State University of New York at Buffalo (UB), after pursuing an engineering degree at Rensselaer Polytechnic Institute. At UB, I received my BA, 2 Masters degrees, and a Ph.D. The teachers who had the greatest influence on me, and to whom I am still deeply indebted, were Steve Fleischer and Alan Spiegel.

Eventually I taught at UB, where I also served as Director of Housing and Student Activities at an arts-oriented college subdivision called College B (my handy metal detector helped me find my car in countless snowstorms). Later I worked at Maple Woods Community College in Kansas City where I taught 9 different courses while serving also as Director of the Re-Entry Program and Student Activities.

If there is one theme in my teaching approach it is probably to find relevance, to try to relate the abstract ideas we learn in class to real life concerns, so people can use what they learn to try to make sense of life.

Since I am very much a visual-oriented person, I tend to use many videos, slides, movies, and commercials in my classes.

I also infrequently show pictures of my cute kids in my classes so if you hate cute kids, my classes might at times be detrimental to your pessimistic state of mind.

I especially welcome students who like to participate, who like to share their ideas with the rest of us. I won't agree with everything you say, but I will salute you for having the courage to air your views candidly. I also favor small group activities so students get to know each other and feel more comfortable in class. Although I have approximately 215 students in my classes each semester, I will learn each and every name eventually.

Publications (and near misses)

I have been published in a variety of forums from The Chronicle of Higher Education to The Baylor Educator to The Educational Record to The CJC Journal of Research and Practice to Postscript. A story describing a dream I had about being attacked by ducks was to be published by a reputable literary journal until it went bankrupt.

I have written 6 unproduced screenplays and 2 unpublished novels (maybe in my next lifetime).

Once I co-authored a comic strip about student life for a New York newspaper. I have written a number of songs dating back to when I played alto sax and conga drums in a band called Pale Fire.

Currently a colleague, Jim Karasiewicz, and I are seeking a publisher for our Sassy the Squirrel children's books.

Office Hours:
MWF 9:00 - 10:00 AM
TTH 8:30 - 9:00 1:00 - 1:30 PM

Class Schedule:
Monday Wednesday Friday
10:00 ENH 110
11:00 ENG 101
12:00 HUM 205
Tuesday Thursday

9:00 ENG 102

10:30 HUM 210

1:30 HUM 205

3:00 HUM 210

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Links:

Movie Reviews
Castles, Castles, Castles
Weather 'tis nobler . .
Unicorns
.Free Cards To Show Loved Ones You Care
Having a bad day? Try HamsterDance
The Day You Were Born
Let There Be Light
Wherefore Art Thou

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Gallery:

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INFLUENTIAL BOOKS AND MOVIES

Students often ask me which books and films have influenced me the most over time. The following works are those that have made the greatest impact on me and probably helped me become the person I am today (along with other obvious influences like great parents, societal conditioning etc.). This is not meant to imply necessarily that I agree with the messages espoused by all of these works; in fact, the opposite may be true at times, because I may have realized as I was experiencing them that this was NOT the way to go. I should also note that some of the ones listed here were read or viewed at different developing stages of my life, and while they might have opened wide the eyes of a callow youth, I'm not sure how I would respond to them today (2004).

Written Works Movies Movies (cont'd)
1984 by George Orwell  2001: A Space Odyssey  The Set-up
A Blessing by James Wright  39 Steps  The Seven Samurai 
A Conspiracy of Paper by David Liss  A Bronx Tale  The Seventh Seal 
A Gap in Nature: Discovering the World's Extinct Animals by Tim Flannery and Peter Schouten  A Bug's Life  The Silence 
A General Introduction to Psychoanalysis by Sigmund Freud  A Day in the Country  The Sixth Sense 
A Ghost of a Chance by Bob Baron (my action-packed, crowd-pleasing screenplay thus far unproduced - anyone in Hollywood reading this?)  A Personal Journey with Martin Scorsese through American Movies  The Story of G.I. Joe
A Light in August by William Faulkner  A River Runs Through It  The Tao of Steve 
A Short History of Nearly Everything by Bill Bryson  A Tree Grows in Brooklyn  The Terror of Tiny Town 
A Walk in the Woods by Bill Bryson   Adrift  The Truman Show 
A Woman's View by Jeanine Basinger  Aguirre, Wrath of God  The Wanderers 
Adventure, Mystery, and Romance by John G. Cawelti  All That Jazz  The War of the Worlds 
Alfred Hitchcock: A Life in Darkness and Light by Patrick McGilligan  Amarcord  The Whole Town's Talking 
All Quiet on the Western Front by Erich Maria Remarque American Time Capsule  The Wonderful, Horrible Life of Leni Riefenstahl 
America's Women: 400 years of Dolls, Drudges, Helpmates, and Heroines by Gail Collins And Now For Something Completely Different  The World of Apu 
Angela's Ashes by Frank McCourt  Apollo 13  Time After Time 
Animal Farm by George Orwell  Awakenings  Titanic 
Anna Karenina by Leo Tolstoi  Babe  To Kill a Mockingbird 
As I Walked Out One Evening by W. H. Auden  Back to the Future  Tokyo Story 
Back in the World by Tobias Wolff Badlands  Tootsie 
Biocosm By James Gardner Bang the Drum Slowly  Touch of Evil 
Brave Dames and Wimpettes by Susan Isaacs  Barbershop  Treasure of the Sierra Madre 
Brave New World by Aldous Huxley  Beauty and the Beast  Un Chien Andalou 
Cannery Row by John Steinbeck  Bedazzled (1967)  Used Cars 
Carnival Evening by Linda Pastan  Before Sunrise Usual Suspects 
Catch-22 by Joseph Heller  Before Sunset Vertigo 
Cathedral by Raymond Carver  Being John Malkovich  Videodrome 
Cat's Cradle by Kurt Vonnegut Jr.  Big Fish Visions of Light 
Changes by Gail Sheehy  Blue Vinyl  Wayne's World 
Chrysanthemums by John Steinbeck  Born on the 4th of July  Westward the Women 
City of Light by Lauren Belfer  Boyz 'n the Hood  What's Opera, Doc? 
Cult Movies by Danny Peary  Broadcast News  When Harry Met Sally 
Dad by William Wharton  Brother From Another Planet  Wild Strawberries 
Damage by Josephine Hart  Cabaret  Witness 
Darkness at Noon by Arthur Koestler  Carnival of Souls (1964)  Wizard of Oz 
Death of a Salesman by Arthur Miller  Casablanca  Women in Love 
Do Not Go Gentle into That Good Night by Dylan Thomas  Children of a Lesser God  Woodstock 
Dostoevsky, Kierkegard, Nietzsche, and Kafka by William Hubben  Citizen Kane  Word Wars
Dr. Jeckyl and Mr. Hyde by Robert Louis Stevenson  City Lights  Yankee Doodle Dandy 
Dracula by Bram Stoker  City Slickers  Young and Innocent 
Dune by Frank Herbert  Clash by Night   
Enjoyment of Laughter by Max Eastman  Contact 
Facing It by Yusef Komunyakaa  Cops 
Fatal Vision by Joe McGinnis  Crimes and Misdemeanors 
Femininity by Susan Brownmiller  Crying Game 
Figure From a Classical Tragedy by Jack Anderson  Dark Star 
Film As Art by Rudolf Arnheim  Day for Night 
Film/Cinema/Movie by Gerald Mast  Dead Man Walking 
First Aid at 4 A.M. by Christopher Bursk  Dead of Night 
First Freedom by Robert Downs  Defending Your Life 
Floating Off the Page by Ken Wells  Donnie Darko
Frankenstein by Mary Shelley  Don't Look Now 
Freakonomics by Steven Leavitt and Stephen Dubner Double Indemnity 
Frida by Hayden Herrera  Duck Amuck 
Getting Even by Woody Allen  Duck Soup 
Ghosty Men by Franz Lioz E.T. 
Give Me a Break by John Stossel Eraserhead 
Great Books by David Denby  Even Dwarfs Started Small 
Hardcore by Jim Thompson  Everybody Says I Love You 
Higher Education by William C. DeVane  Fat City 
Ideas and Men: The Sory of Western Thought by Crane Brinton  Fatal Attraction 
Importance of the Fingerpost by Iain Pear  Father of the Bride 
Into the Wild by Jon Krakauer  Fear of a Black Hat 
Into Thin Air by Jon Krakauer  Fight Club 
It's Getting Better All the Time by Stephen Moore and Julian Simon Fishheads 
Jokes and their Relation to the Unconscious by Sigmund Freud  Frank Film 
Jude the Obscure by Thomas Hardy  Frankenstein (1931) 
Keaton by Daniel Moews  Friendly Persuasion 
Life: The Movie by Neal Gabler  Funny Farm 
Lilydale by Elizabeth Wicker Gabriel Over the White House 
Little Big Man by Thomas Berger  Gates of Heaven (NOT Heaven's Gate) 
Look at Me by Jennifer Egan  Ghost 
Looking by W.D. Snodgrass  Ghost and the Darkness 
Love is Hell by Matt Groening  Ghost World
Love, Medicine, and Miracles by Bernard Siegel  Grand Canyon 
Lovely Bones by Alice Sebold  Groundhog Day 
Madame Bovary by Gustave Flaubert  H .M. Pulham, Esq. 
Magic Man by Bob Baron (another vibrant screenplay, still available)  Hannah and Her Sisters 
Making Movies by Sidney Lumet  Heaven Can Wait (1978) 
Man and His Symbols by Carl Jung  Hero (Chinese)
Man in Full by Thomas Wolfe  High Noon 
Man's Search for Meaning by Viktor Frankl  His Girl Friday 
Margaret Mead and Samoa by Derek Freeman Hour of the Wolf 
Martian Chronicles by Ray Bradbury  Images 
Martin Luther King by Marshall Frady In America
Metamorphosis by Franz Kafka  Invasion of the Body Snatchers (1956) 
Middle Passage by Charles Johnson  It's a Gift 
Middlemarch by George Eliot  It's A Wonderful Life 
Miss Brill by Katherine Mansfield  Jaws 
Movie Made America by Robert Sklar  Jean de Florette/Manon of the Spring 
Mrs. Dalloway by Virginia Woolf  JFK 
Native Son by Richard Wright  Johnny Guitar 
Night Driving by Dick Allen  Junior 
No Exit by Jean-Paul Sartre  King of Masks 
Notes from the Underground by Fyodor Dostoevsky  Kiss Me Deadly 
On Liberty by John Stuart Mill  Kramer vs. Kramer 
Patrimony by Philip Roth  Kundun 
Projected Fears by Kendal Phillips La Jetee 
Prologue to the American System of Higher Education by E.D. Duryea  Last Picture Show 
Rats, Lice, and History by Hans Zinsser  Last Tango in Paris 
Realms of Meaning by Philip Phenix  Life is Beautiful 
Reefer Madness by Eric Schlosser  Lifeguard 
Reel Women by Ally Acker  Little Big Man 
Remembrance of Things Past by Marcel Proust  Local Hero 
Resurrection by Leo Tolstoi  Lost in America 
Sailing the Wine-Dark Sea: Why the Greeks Matter by Thomas Cahill Love Me Tonight 
School is Hell by Matt Groening  Manhattan Murder Mystery 
Seeing Through Movies by Mark Crispin Miller  Me Myself I (NOT Irene) 
Self Made Man by Norah Vincent Meet Me in St. Louis 
Seven Theories of Human Nature by Leslie Stevenson  Menilmontant 
Siddhartha by Herman Hesse  Meshes of the Afternoon 
Silent Movies by Neal Sinyard  Mildred Pierce 
Skywalking by Dale Pollock  Million Dollar Baby
Slaughterhouse Five by Kurt Vonnegut Jr.  Miracle on 34th Street 
Snow Falling on Cedars by David Guterson  Modern Times 
Standing in the Rainbow by Fannie Flagg  Monkey Business (1931) 
Star Wars: The Magic of Myth by Mary Henderson  Monty Python and the Holy Grail 
Stepin Fetchit by Mel Watkins My Darling Clementine 
Suits Me by Diane Middlebrook  Nashville 
Taking Laughter Seriously by Jack Morreall  Night and Fog 
Telling It Again and Again by Bruce Kawin  Night at the Opera 
Tess of the D'Urbervilles by Thomas Hardy  Night of the Hunter 
The Accidental Tourist by Anne Tyler  Night of the Living Dead 
The Alexandria Quarter by Lawrence Durrell  Nights of Cabiria 
The Alienist by Caleb Carr  North by Northwest 
The American Cinema by Andrew Sarris  Now, Voyager 
The American College and University by Frederick Rudolph  O Lucky Man! 
The American Way by Edward Kearny, Mary Ann Kearney, and Jo Ann Crandall  On Golden Pond 
The Areopagitica by John Milton  One A.M. 
The Art of Alfred Hitchcock by Donald Spoto  One Week 
The Autobiography of Malcolm X  Onibaba 
'The Autobiography of Santa Claus as told to Jeff Guinn Open City 
The Bell Jar by Sylvia Plath  Ordinary People 
The Bible  Our Hospitality 
The Blank Slate by Steven Pinker  Our Lady of the Sphere 
The Book by Alan Watts  Outland 
The Brothers Karamazov by Fyodor Dostoevsky  Paper Moon 
The Call of the Mall by Paco Underhill Parenthood 
The Castle by Franz Kafka  Pee Wee's Big Adventure 
The Catcher in the Rye by J. D. Salinger  Picnic at Hanging Rock 
The Christmas Box by Richard Evans  Places in the Heart 
The Cinema of Frank Capra by Leland Poague  Platoon 
The Cinema of Generation X by Peter Hanson Pleasantville 
The Collected Short Stories by Franz Kafka  Psycho 
The Color Purple by Alice Walker  Pulp Fiction 
The Comic Mind by Gerald Mast  Purple Rose of Cairo 
The Cossacks by Leo Tolstoi  Quiz Show 
The Crimson Petal and the White by Michael Faber  Raising Arizona 
The Da Vinci Code by Dan Brown  Ransom 
The Dark Side of Genius by Donald Spoto  Ratatouille
The Dehumanization of Art by Ortega Y. Gasset  Real Life 
The Denial of Death by Ernest Becker  Rebel Without a Cause   
The Diving Bell and the Butterfly by Jean Dominique Bauby  Red Desert 
The Dwarf by Paar Lagerkvist  Remains of the Day 
The Fifties by David Halberstam  Round Up 
The Film Experience by Roy Huss and Norman Silverstein  Rush 
The Films of John Ford by J. A. Place  Safe 
The Five People You Meet In Heaven by Mitch Albom Saving Private Ryan 
The Floating Opera by John Barth  Serpico 
The Foundation Trilogy by Isaac Asimov  Seven Chances 
The Giant's House by Elizabeth McCracken  Shawshank Redemption 
The Girls in their Summer Dresses by Irwin Shaw  Sherlock Jr. 
The Grand Tour by Ron Miller and William Hartman  Shine 
The Great Gatsby by F. Scott Fitzgerald  Signs 
The Heart is a Lonely Hunter by Carson McCullers  Silence of the Lambs 
The Hobbit by J. R. R. Tolkien  Singin' in the Rain 
The Hollywood Studios by Ethan Murdden  Sleuth 
The Immortalist by Alan Harrington  Small Steps-Big Strides 
The Interpretation of Dreams by Sigmund Freud  Snow White and the Seven Dwarfs 
The Keep by Jennifer Egan Something About Mary 
The Kreutzer Sonata by Leo Tolstoi  Sorcerer 
The Language Police by Diane Ravitch  Stagecoach   
The Left Hand of Darkness by Ursula LeGuin  Star Wars 
The Lord of the Rings Trilogy by J. R. R. Tolkien  Station Agent
The Lottery by Shirley Jackson  Strangers on a Train 
The Love Song of J. Alfred Prufrock by T. S. Eliot  Street of Shame
The Magic Mountain by Thomas Mann  Take the Money and Run 
The Meaning of Life by Hugh Moorhead Targets 
The Misanthrope by Moliere  Terminator 
The Movies in Your Mind by Harvey Greenberg  Testament 
The Munchkins Remember by Stephen Cox  Texas Chainsaw Massacre 
The Naked Ape by Desmond Morris  The Band Concert 
The New Hollywood Cinema by Geoff King The Bicycle Thief 
The Rise of the Image and the Fall of the Word by Mitchell Stephens  The Cameraman 
The Road Less Traveled by M. Scott Peck  The Castle (Astralian)
The Scarlet Letter by Nathaniel Hawthorne  The Citadel 
The Search by Bob Baron (still another screenplay just waiting to be made into a hit movie)  The Conformist 
The Secret Sharer by Joseph Conrad  The Decalogue 
The Shining by Stephen King  The Elephant Man 
The Silent Clowns by Walter Kerr  The Fearless Vampire Killers 
The Sory of Utopias by Al Morton  The Fireman's Ball 
The Sot-Weed Factor by John Barth  The French Lieutenant's Woman 
The Spoon River Anthology by Edgar Lee Masters  The General 
The Story of Hollywood by Barry Norman  The Godfather I and II 
The Story of Utopias by Lewis Mumford  The Good, the Bad, and the Ugly 
The Street by Ann Petry  The Grinch Who Stole Christmas 
The Structure of Scientific Revolutions by Thomas Kuhn  The Gunfighter 
The Tipping Point by Malcom Gladwell The Incredibles
The Trial by Franz Kafka  The Invisible Man (1933) 
The Unicorn by Nancy Hathaway  The Killing 
The Uses of Enchantment by Bruno Bettleheim  The Lady Vanishes 
The Vanishing Hitchhiker by Jan Harold Brunvand  The Lion in Winter 
The Wishbones by Tom Perrotta The Maltese Falcon 
The World is Flat by Thomas Friedman The Man Who Shot Liberty Valance 
Theory of the Avant Garde by Renata Poggioli  The Man Who Would Be King   
Three Views of Man by Robert Nye  The Manchurian Candidate 
To Kill a Mockingbird by Harper Lee  The Music Box (1932) 
To the Virgins to Make Much of Time by Robert Herrick  The Music Lovers 
Tolstoi by Henri Troyat  The Navigator 
Tragedy and Comedy by Walter Kerr  The Projectionist 
Understanding Movies by Louis Giannetti  The Red and the White 
Utopia by Ian Todd and Michael Wheeler  The Right Stuff 
Utopias and Utopian Thought by Frank Manuel  The Ruling Class 
Villette by Charlotte Bronte   
Walden Two by B. F. Skinner   
War and Peace by Leo Tolstoi   
Water for Elephants by Sara Gruen  
Watership Down by Richard Adams     
Whispers by Dean Koontz     
Who Are You People? by Shai Caudron    
Why Things Bite Back by Edward Tenner     
Winesburg, Ohio by Sherwood Anderson     
Winnie-the-Pooh by A. A. Milne     
Women Who Love Too Much by Robin Norwood     

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