Course
Schedule of Assignments
Here
are the weekly assignments for this course. As you work on the
assignments, please remember:
- Even though you are required to turn in only one journal
entry
each week, I’ve provided many more topics and ideas to inspire
you. Why not set aside some time every day or three or four times
a week to write in your journal and then send me your favorite for the
week?
- Assignments are due by the
end
of each week (Friday), but I’m happy to get them earlier.
- You’re welcome to finish the
coursework early, but remember that I can’t give you a grade early--I
have to wait until I get a grade roster at the end of the semester.
- I don’t accept late work because it’s bad for you and me
both to
fall behind in our work.
- I am glad to answer any
questions you have about the assignments--just email me!
- If you don’t hear back from
me
within a few days after sending an assignment, follow up with me and
make sure I got it. If I get a message from you, you will get a
reply from me--guaranteed!
- Keep a copy of everything you write and send and everything
you receive from me.
Part One: The Self
Week One (due Friday, August 24)
- Read the Course Policies
document, and email me with any questions or concerns.
- Read Writing Down the
Bones,
pp. 1-22.
- Reading response--answer these questions:
- What does Goldberg mean by “beginner’s mind”?
- What does Goldberg mean by “first thoughts”?
- What are Goldberg’s six “rules” for writing practice?
5. Choose
a
topic from Part
One: The Self,
or come up with your own topic, and use Goldberg’s writing practice
method to write your first journal entry.
Week Two (due Friday, August 31)
- Read Writing Down the
Bones,
pp. 23-40.
- Reading response--answer these questions:
- Why does Goldberg advise us to “separate the creator and
the
editor or the internal censor”? Who or what are your editors and
censors when you write?
- Explain this strange observation: “Writing is not a
Mcdonald’s hamburger.”
3.
Choose a topic from Part
One: The Self, or come up with your own topic, and use
Goldberg’s writing practice method to write your second journal entry.
Week Three (due Friday, September
7)
- Read Writing Down the
Bones,
pp. 41-60.
- Reading response--answer these questions:
• According to
Goldberg, what is the power of descriptive specific detail?
• Why must we not “marry the fly”?
3.
Choose a topic from Part One:
The Self, or come up with your own topic and use Goldberg’s writing
practice method to write your third journal entry.
Week Four (due Friday, September
14)
- Read the instructions for the essay on The Self
(autobiography).
- Go back through your journal entries so far, and make a list
of
themes, issues, or topics that seem to come up again and again.
Or make a list of themes, issues, or topics that seem to be on your
mind often. This list will give you some ideas of a focus for
your essay. You don’t have to send me this list unless you want
to.
- Send me a brief description of your chosen focus or topic
for
your essay and why you want to write about it.
- The final draft of your essay is due next week, and this
will be
graded for both content and style, so it will be much more polished
than a journal entry. If you are nervous about mechanics
(spelling, grammar, syntax, etc.), go ahead and send me a rough draft NOW,
and I will help you edit it before you turn in your final draft for a
grade.
Week Five (due Friday, September
21)
Send me the final draft of your autobiographical essay.
Part
Two: The Self in Relationship
Week
Six
(due Friday, September 28)
- Read Writing Down the Bones, pp. 61-81.
- Reading
response--answer these questions:
- Explain this
advice:
“Don’t tell, but show.”
- Respond to this
comment
from Grace Paley (a fabulous short story writer, by the way!
treat yourself to reading one of her books!): “It is the
responsibility of writers to listen to gossip and pass it on. It
is the way all storytellers learn about life.” Do you
agree? Do you ever do this in your writing?
Week
Seven (due Friday, October 5)
- Read Writing Down the Bones, pp. 82-102.
- Reading
response--answer these questions:
- This section deals
with
places where we can write and how a place can affect our writing.
Where do you do your best writing? Where do you find it
impossible to write?
- Take Goldberg’s
advice
and write this week’s journal in a place where you ordinarily don’t
write. Then tell me what this experience was like for you.
Week
Eight (due Friday, October 12)
- Read Writing Down the Bones, pp. 103-123.
- Reading
response--answer these questions:
- Why do you
write?
Make a list of reasons.
- What is your
relationship
with doubt? Does it stop you in your tracks or spur you on to
more courage and determination?
Week Nine
(due Friday, October 19)
- Read the
instructions for
the essay on The
Self in
Relationship (biography).
- Go back through your
journal entries so far, and make a list of themes, issues, or topics
that seem to come up again and again. Or make a list of themes,
issues, or topics that seem to be on your mind often. This list
will give you some ideas of a focus for your essay. You don’t
need to send me this list unless you want to.
- Send me a brief
description of your chosen focus or topic for your essay and why you
want to write about it. This essay may require some research--for
example, you might want to interview the person you’re writing about or
someone who knew him or her. Or if you’re writing about a public
figure, you might need to do some library research. If so, what
research do you need to do, and what are your plans to do this?
- The final draft of
your
essay is due next week, and this will be graded for both content and
style, so it will be much more polished than a journal entry. If
you are nervous about mechanics (spelling, grammar, syntax, etc.), go
ahead and send me a rough draft NOW,
and I will help you edit it before you
turn in your final draft for a grade.
Week Ten
(due Friday, October 26)
Send me the final draft of
your
biographical essay.
Part
Three: The Self in the World
Week
Eleven
(due Friday, November 2)
- Read Writing Down the Bones, pp. 124-142.
- Reading
response--answer these questions:
- Respond to this
observation: “Writing can teach us the dignity of speaking the
truth, and it spreads out from the page into all our life, and it
should.” Do you agree? Are you able to tell the truth, the
whole truth, and nothing but the truth in your writing? Are there
any limits to truth-telling?
- Try Goldberg’s advice
in
“Blue Lipstick and a Cigarette Hanging Out Your Mouth.” Put on a
disguise, and write as if you were a person who normally dressed this
way. Try writing in a way you don’t normally write--in a coloring
book with crayons, on newsprint with a paintbrush and watercolors, on
the sidewalk with chalk--whatever. How does this affect your
writing?
Week Twelve
(due November 9)
- Read Writing Down the Bones, pp. 143-158.
- Reading
response--answer these questions:
- Goldberg talks about
having
tried to run away from her own upbringing and religion--running away
from home. Is there anything in your “home” or background that
you have run away from? You don’t have to tell me exactly what it
is if you don’t want to, but think about this: do you believe it
is valuable or necessary to come to terms with the way we grew
up? Or can we simply leave behind what we don’t want to deal with
as if it never happened?
- Do you ever share your
writing with others for their feedback? Do you find it helpful,
or do you prefer to rely on your own instincts?
3. Choose a
topic from Part
Three--The Self
in the World or come up with your own topic, and use Goldberg’s
writing practice method to write your eighth journal.
Week Thirteen
(due Friday, November 16)
- Read Writing Down the Bones, pp. 159-170.
- Reading
response--answer these questions:
- Who is the Samurai
inside
the writer? What purpose does the Samurai serve?
- What methods or
techniques
do you find especially helpful in revising and rewriting your work?
3.
Choose a topic from Part
Three--The Self in the World or come up with your own topic, and
use Goldberg’s writing practice method to write your ninth journal.
Week Fourteen
(due Friday, November 23--or earlier if you wish since this is
Thanksgiving week)
- Read the instructions
for
the essay on The
Self in the
World (creative nonfiction).
- Go back through your
journal
entries so far, and make a list of themes, issues, or topics that seem
to come up again and again. Or make a list of themes, issues, or
topics that seem to be on your mind often. This list will give
you some ideas of a focus for your essay. You don’t need to send
me this list unless you want to.
- Send me a brief
description
of your chosen focus or topic for your essay and why you want to write
about it. This essay may require some research--for example, you
might want to interview a person who is experienced in the topic you’re
writing about, or you might need to do some library research to learn
more about your topic. If so, what research do you need to do,
and what are your plans to do this?
- The final draft of your
essay is due next week, and this will be graded for both content and
style, so it will be much more polished than a journal entry. If
you are nervous about mechanics (spelling, grammar, syntax, etc.), go
ahead and send me a rough draft NOW,
and I will help you edit it before you
turn in your final draft for a grade.
Week Fifteen
(due November 30)
- Send me the final draft
of
your creative nonfiction essay.
- Reading response--send
me
your thoughts about Writing Down the
Bones. Did you enjoy reading it? Did you learn from
it? Was it helpful to you?
- Last journal:
reflect
back on the writing you’ve done for this course. How do you feel
about this experience? Have you changed as a writer at all?
What advice would you give other writers who were planning to take a
course like this?