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Volume 41, Issue 2
September 16, 2003

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September 16, 2003

Industry plunders “music pirates”
Ryan Bailey
Ryan Bailey
Opinions Editor


Right now, 60 million Americans participate in free peer-to-peer internet file-sharing, exchanging about 2.6 billion files per month. Mostly songs and movies, the majority of these files are copyright-protected. All rights to sell or distribute these media lie with the artists that created them or the corporation to whom they have sold such rights. Since the mid-1990s, the programs that facilitate this anonymous search for items to download have been growing in popularity, peaking with Napster and its technological descendents.
As a result, our ability to experience art has taken an evolutionary jump. Just as species adjust to changes in their environment, the way that consumers acquire music has changed along with the widespread technology now available to us all. History shows the same pattern. There was a copyright frenzy when it became possible to reproduce phonograph cylinders; make audio tapes of any records or radio broadcasts; and make video cassette copies of anything on television or even of other cassettes. Each time, society has adjusted, finding a reasonable way for creators to be compensated by consumers. Never has it become a fiasco like the litigious tumult that surrounds online music sharing.
The Recording Industry Association of America (RIAA), representing the interests of the largest record labels, has begun to sue those proven to be responsible for the online sharing of copyrighted material. National copyright law allows a sentence of five years imprisonment and $250,000 per song; but the merciful RIAA asks only $150,000 per proven infringement. Numerous sensible people have questioned the severity of this punishment (check the Eighth Amendment); but RIAA president Cary Sherman assured America that they are only pursuing major infringers who distribute “a substantial amount of copyrighted music.”
However, this has not proven to be the case. It has recently been reported that the next target of the major record labels is a Brooklyn woman who was found to have about 1,000 songs on her hard drive available for download. RIAA lawyers are able to trace these songs back to 2001, and the now-defunct Napster. Can this woman be considered a major source of illegal file-sharing? How much has the music industry’s revenue (now reduced to $11.5 billion a year) decreased as a result of this woman’s hard drive? Those familiar with Napster would know that 1,000 songs is not very many, and not very difficult to obtain. I think she is very much an ordinary American internet user. And the RIAA is willing to financially destroy her in order to intimidate the 60 million others just like her.
There are a lot of simple solutions to solve this problem. Internet service providers could very easily charge a monthly fee to willing consumers for unlimited music access, and then distribute the royalties to individual artists for what has been downloaded. It could be an upgrade to the ordinary service, like basic cable to premium. Or official software and software upgrades could be sold for file-sharing purposes, with the revenue going to the artists or their labels. It doesn’t require much thought to find an adequate solution and reveal the needlessness of the RIAA scare tactics. Unfortunately, many such solutions have been disregarded when suggested by Verizon and other internet providers which are hesitant to reveal their customers’ identities for prosecution.
It would appear that modern technology, our ability to digitally reproduce most media, has changed America’s perception of copyright law. It has become obsolete, just like society’s need for record labels to distribute music for us. This is not to say that we should be breaking the law. Criminal activity is not justifiable. I mean to suggest that these laws, and those willing to hurt us to support them, cease to represent us. And judging by the growing numbers, it would appear that these laws no longer agree with the will of the people. Just as with the Prohibition of the ‘30s, when so few are obeying a law, maybe the majority should rule. Times have changed, and it is time for our society and this industry to change along with it.


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